Emerging Composers is a fantastic professional development opportunity offering paid commissions for emerging composers creating exciting repertoire from new perspectives for Pipe Band. 

Now in our third year of the programme, Emerging Composers offers paid commissions to write for Scotland's only concert Pipe Band. We are calling for emerging composers aged 18-25  (or up to 30 if you identify as disabled) from both inside and out of the Piping community to create new work for the NYPBS.

We particularly welcome applications from people of colour, disabled people, women and the LBGTQ+ community. 

Each composer will receive a bursary of £1,600 and support from NYPBS staff and industry topping mentors.

Applications Close 2nd June. We will write to applicants with the outcome of the selection process by 13th June.

More information:

We have five places available in total. Two places are aimed at experienced Piping/ Drumming artists and/or alumni of the NYPBS programme. The other three places are targeted towards currently under-represented groups within Piping including people of colour, disabled people, women and the LBGTQ+ community. 

The 5 applicants will collaborate throughout the project, supporting each other as writers alongside mentors and staff. 

Each recipient would be expected to: 

  • attend and participate actively in 4 Creative Weekends;

  • participate in disability awareness training;

  • undergo a PVG check;

  • deliver a short informal presentation on writing for their instrument / their musical experience to the group;

  • agree on a bespoke training plan covering the full duration with the project lead;

  • keep some sort of reflective diary and provide updates to assist in the promotion of the project and their own work; 

  • work through at least 2 drafts to completion of a piece for an NYPBS ensemble between 3-5mins; 

  • participate in the workshopping, recording and performance of the new works;

  • lead 2 large scale rehearsals of their piece with one of the NYPBS National Bands; 

  • participate in an evaluation session at the end of the project.

The project will run from June 2023- April 2024 with activity split between two phases. 

  • Training and support will be structured across four training weekend events, delivered from June-July 2023, where our five successful applicants will work together alongside mentors towards their first drafts.

    Each composer will also be expected to play as part of workshopping each other's pieces.

    Each composer will be expected to attend all four weekends which are scheduled as follows:

    • EC First Creative Weekend 16th-17th June

    • EC 2nd Creative Weekend 24th-25th June

    • EC 3rd Creative Weekend 22nd-23rd July

    • EC 4th Creative Weekend 29th-30th July

    Each composer must complete a full first draft of their piece by the end of this phase.

  • From October 2023 to December 2023, each emerging composer will be given a chance to gain experience in leading large-scale rehearsals of their work, supported by the NYPBS' Director. Each composer is expected to attend two rehearsal days and to complete a final draft of their piece which one of our National Bands will perform at our end-of-year concert on April 2024.

  • Throughout the project we’ll ask each composer to maintain some sort of reflective diary capturing their experience. We’ll meet for a final monitoring session as a group in April 2024.

Emerging Composers 2022

  • Ben Muir

    With a varied musical background, including years of piping experience competing in the pipeband scene, Ben has developed a unique approach to composition. His compositions are influenced by his love of popular music, his experience as a songwriter and as a multi-instrumentalist.

  • James Bauld

    Highland born musician/composer James Bauld has arrived on the buzzing Glasgow folk scene with his self titled debut EP. He is currently in his third year at the UHI, studying flute/whistle on the applied music course and working on a nationwide Youth Music NextGen composition project along with his new social media series 'Food and Folk’

  • Lewis MacRae

    Lewis owes his self confessed obsession with pipe bands and snare drumming to his dad! A snare drummer with the NYPBS for over 5 years, he also plays with Uddingston Pipe Band under the leadership of Grant Cassidy. Although he likes to keep it quiet, Lewis received bagpipe lessons throughout his time in school and still occasionally picks up the pipes! Originally from Inverness, he is currently attending the University of Strathclyde studying Mechanical Engineering

  • Malin Lewis

    Malin Lewis is a musician, composer, instrument maker and musical director from the Scottish Highlands. They play a range of instruments including various bagpipes, Fiddle and Whistle.

    Malin performs regularly across the country with their trio, Malin Makes Music, which features Sally Simpson on fiddle and Luc McNally on Bouzouki. Their music draws inspiration from piping traditions all across Europe and features self-penned tunes as well as traditional melodies from Finland, Bulgaria and Galicia. Their sound has been described as ‘Beautiful’, ‘raw’ and ‘a breath of fresh air’.

  • Siobhan Dyson

    Composer, musician, film maker and creative, Siobhan Dyson is an all-round creative person who enjoys the thrills of making her own films, adding her own music and performing the music with the vast number of instruments she has taught herself. Finding passion through her time at The Royal Conservatoire of Scotland, Siobhan decided to create her own films to support her music. Having little experience prior to her first film 'Playing with myself' she decided to pursue her passions and create something unusual.

Emerging Composers: Scotland's Stories (2020)

Based on 'Scotland's Stories' as a theme, in 2020 we commissioned five emerging artists aged 18-25 to respond to one of seven stories and create new repertoire for the NYPBS. 

Alongside guest mentors Mike Vass, Signy Jakobsdottir and Stephen Deazley, we supported each composer to create a new piece for Pipe Band in a concert setting. 

Due to disruption from the COVID-19 pandemic, the original performance of these pieces was postponed. However, the works will be showcased at this year's Piping Live! Festival in August 2022. 

Emerging Composers 2020

  • Anna Scott

    Anna Scott is a multi-instrumentalist and composer who plays Scottish traditional music. She is greatly influenced by the music of her home, the Isle of Skye. Before starting traditional music, Anna spent many years learning classical music on the piano and the clarinet in Normandy, France where she was brought up. She also plays the fiddle and the pipes.

  • Ben Vardi

    Vardi is a producer / DJ & multi-instrumentalist. Drawing on a rich variety of influences & experiences he aims to make work that is innovative & nourishing. Growing up he used to play bagpipes in pipe bands but over time slowly moved away from this world into dance music & DJing. One of his focuses now is how to integrate his roots culture with electronic music.

  • Breanna Wilson

    Breanna Wilson is a Glasgow based fiddle player who grew up amongst the Irish traditional music scene in Glasgow. During her time at the RCS she has developed a love for American Bluegrass and Old-Time music as well as exploring some Scandinavian music whilst continuing to explore her Irish and Scottish roots.

  • Ellie McLaren

    Originally from Braemar, in the heart of the Cairngorms, Ellie has been playing the fiddle since she was 8 years old. Over the years, Ellie has composed various tunes for both fiddle and pipes, with her strongest passion being pipe music. Whilst she doesn’t play the bagpipes (yet!), she enjoys listening to and playing the repertoire and styles of the pipes, and is excited to put this into the Emerging Composers project.

  • Kim MacLennan

    Hailing from Blairbuie on the Coigach peninsula of Wester Ross, Kim is an accomplished accordion and bagpipe player with a background deeply rooted in both the pipe band and traditional music communities. After becoming the first female pipe major of the Ullapool and District Pipe Band at the age of just 15, Kim has continued to successfully compete in the pipe band scene ever since. She feels most at home while pushing the boundaries of trad music and melding her traditional roots with her contemporary style of playing.